This is How the Government Entertained the Troops during World War II
This is How the Government Entertained the Troops during World War II

This is How the Government Entertained the Troops during World War II

Larry Holzwarth - December 26, 2021

This is How the Government Entertained the Troops during World War II
Desi Arnaz (seated), Frances Langford, Jerry Colonna, and Bob Hope, with an unidentified man, preparing for a radio broadcast in the 1940s. NBC

18. The Germans recognized the value of the American USO shows

The entertainment shows which crisscrossed France and Italy after portions of those countries fell under Allied control were hugely successful in boosting morale of the troops. The fact was not lost on the Germans. Using agents and spies, the Germans made several attempts to attack the traveling troops, believing the effect on morale would be hugely detrimental. Another war correspondent, Quentin Reynolds, wrote in Billboard, “…One of the generals said Hope was a first rate military target since he was worth a division, that’s about 15,000 men”. On one tour in France the Germans targeted Hope and his troupe at least three times, missing him in each attack. Years later, the Viet Cong did the same during one of Hope’s Christmas Shows during the Vietnam War. Hope’s support of the military remained tireless, despite the changes in public support for war in the 1960s.

When combat operations ended in Europe and the United States initiated Operation Magic Carpet, the massive sealift which brought American troops home, the USO announced the need to continue USO shows in Europe. The landscape of Western Europe was shattered, the atmosphere depressing, and occupation troops were still needed. Even though the war in Europe was ended, Hope offered his services to continue providing entertainment, as well as recruiting other stars to join in the effort. Hope never made a dime for his services to the USO, and instead spent freely of his own money to entertain the troops during the war, and through the remainder of the 20th century. He also made several films during the war years, and nearly uncountable radio appearances, indicating the man really was tireless. Eventually he hosted 57 touring USO Camp Shows over 50 years.

This is How the Government Entertained the Troops during World War II
French actress Annabella with American Tyrone Power in 1943, when power served in the United States Marine Corps. Wikimedia

19. The military helped entertain potential recruits before they entered the service

During the Second World War a series of Hollywood films, featuring major stars of the day, were created to entice potential recruits into select branches of the service. One example is 1943’s Crash Dive, starring Tyrone Power in his last film before entering military training himself. In the film, Power plays an officer assigned to PT Boats who reluctantly enters submarine training. Eventually, he comes to enjoy the submarine service, while acknowledging all the various branches of the Navy had important contributions to make in the war effort (in real life Power served as a Marine cargo pilot, often ferrying wounded Marines off of islands where combat still raged). The same year saw the release of Bombardier, a film which followed the training of six friends in bombardier school. The film included an introduction by Brigadier General Eugene Eubank, which stressed the critical need for trained bombardiers.

Other films used direct appeals from established stars, rather than fictionalized stories. James Stewart, who served with distinction in the USAAF, narrated a recruiting film for the Army Air Forces. Stewart appears as a pilot, addressing an audience through the fourth wall, and allowing them to experience the recruiting and training process. The recruits come from positions on the social and educational ladder, though none are Black, as the US Army remained segregated at the time of the film’s release in May, 1942. The film was so successful as a recruiting tool that the USAAF attributed 150,000 enlistments from its audience, which viewed the film as a short accompanied by whatever feature they went to the theater to see. By then, James Stewart was flying combat missions over France and later Germany as part of the 8th Air Force.

This is How the Government Entertained the Troops during World War II
Title card for Private Snafu, an army recruit in the mold of Sad Sack, chiefly valuable for pointing out the wrong thing to do in a humorous manner. Wikimedia

20. Entertainment provided valuable training for recruits and veterans

All branches of the military used films as a means of providing training to their members, some serious in nature, other comedic. Some used live actors in various scenes and vignettes, others relied on animation. A series of Army short films starring Private Snafu addressed subjects such as avoiding scams, sexually transmitted diseases, enemy agents and spies, and other potential pitfalls of military life. The Snafu shorts were written by Theodore Geisel (Dr. Seuss), and voiced by Mel Blanc (Porky Pig, Bugs Bunny, Foghorn Leghorn, and many, many more). A Navy version, featuring Seaman Tarfu, was also created, but for the most part Navy recruits watched the Snafu shorts. They can be watched on Youtube and other sites, and they are solid evidence that political correctness in the 1940s was considerably different than in the 21st century.

Bolstering morale by entertaining the troops was a massive undertaking during the Second World War, yet even with all that was accomplished by volunteers and the military, boredom remained a dominant factor of military life. Soldiers, sailors, airmen, and Marines all sought other means to alleviate it, with varying degrees of success. The USO formed at the request of President Roosevelt has remained in operation ever since. So has Armed Forces Radio. So have efforts to provide the military with first-run films and other forms of entertainment. Since World War II, in peace and in times of conflict, providing quality entertainment to troops overseas as well as at home has been a major endeavor by the Armed Forces of the United States. Today’s USO and military use state of the art technology to address the issues of keeping the troops entertained and informed.

Where do we find this stuff? Here are our sources:

“The USO incorporates itself in New York, February 4, 1941”. Andrew Glass, Politico. February 4, 2013

“Here’s How the First USO Centers Were Created”. Paul X. Rutz, USO.org.

“How Ensa Entertained the Troops During World War II by Andy Merriman Review”. Neil Norman, Express. April 5, 2013. Online

“Command Performance”. Article, Jim Ramsburg’s Gold Time Radio. Online

“During times of war, Fort George G. Meade was the morale booster”. Kevin Leonard, Baltimore Sun. March 19, 2020

“Hollywood went to war in 1941 – and it wasn’t easy”. Larry Margasak, National Museum of American History. May 3, 2016

“The Hollywood Canteen Wasn’t Just A Movie”. Article, Old Soul Retro. Online

“Sports, World War II”. Article, Encyclopedia.com. Online

“America’s Vices in World War II”. Barry Silverstein, History of Yesterday. September 27, 2021. Online

“Reflections: Some ‘em if you got ‘em”. Artlcle, Army History.org. Online

“Why Marlene Dietrich Was One of the Most Patriotic Women in World War II”. Danielle DeSimone, USO.org. March 5, 2020. Online

“Major Glenn Miller, US Army Air Forces”. Article, The National Museum of WWII, New Orleans. December 10, 2019

“Camp Life”. Article. Guests of the Third Reich. Online

“At 90, Honolulu’s Royal Hawaiian Hotel is still pink and oh-so-dreamy”. Jay Jones, Los Angeles Times. February 1, 2017

“So Ready for Laughter: The Legacy of Bob Hope”. Exhibit, The National Museum of World War II, New Orleans. Online

“Brigadier General James M. Stewart”. Exhibit, National Museum of the United States Air Force. Online

“The Organization”. Article, USO.org. Onlinerest and

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