12. The Amateur Who Upended East Asian Archaeology
For most people, archaeology is not exactly the kind of stuff that generates excitement. Not so in Japan, where archaeology is quite a popular subject. The Japanese people revel in their country’s uniqueness, and exhibit greater fascination with their pre history than just about any other people in the world. In that country, new archaeological finds are frequently announced in bold headlines on the front pages of leading newspapers, and bookshops usually have entire sections devoted to Stone Age Japan. Because of that, Japan went into a tizzy in 1981, when self-taught archaeologist Shinchi Fujimura announced his discovery of stone age artifacts dating back 40,000 years. The most important thing about his discovery for the Japanese public was that it established that human beings had been present in Japan for at least that long.
It was a spectacular find that launched Fujimura’s career, gained him national and international fame, and quickly put him in the forefront of Japanese archaeology. The Japanese, whose culture is heavily indebted to that of China, have often sought to differentiate and set themselves apart from the Chinese. Historic discoveries that support the uniqueness of Japanese culture and origins are bound to make their discoverer hugely popular. So it was in that environment and against that backdrop that Fujimura’s archaeological finds made him into a national celebrity. His discoveries were incorporated into school textbooks, and taught to Japanese children for years.
Fujimura worked on over a hundred archaeological projects around Japan after his first discovery. Amazingly, the spectacular good fortune with which he began his career continued without cease or letup, and Fujimura kept finding older and older artifact. As his lucky streak continued, Fujimura’s finds kept pushing Japan’s human prehistory further and further back. His fame and prestige, already high, reached stratospheric levels in 1993, when he discovered stone age evidence of humans near the village of Tsukidate, which dated back over half a million years. At a stroke, Japan became the equal of its rival, China, in the antiquity scale. So remarkable was that streak, and so fortunate did Fujimura seem in his ability to unearth objects that few if any other archaeologists could find, that awestruck admirers began referring to the seemingly divinely guided Fujimura as “God’s Hands”.
The man’s archaeological skills seemed too good to be true, and as is often the case, things that seem too good to be are usually just that. In 2000, Japan was rocked when a daily newspaper published three photographs showing the respected and celebrated archaeologist planting supposedly ancient stone age tools at a dig site. Forced to confess after being caught red handed on film, Fujimura admitted to planting evidence not only at that site, but in other locations across Japan, and throughout his entire career. When asked why he did that, a sobbing Fujimura tearfully responded: “the devil made me do it“.
10. The Anonymous Forger Monks Who Shaped the Middle Ages
Among history’s most impactful con men and hucksters are a group of now-anonymous medieval monks who perpetrated the greatest hoax of the Middle Ages – a con whose impact reverberated for centuries. Known as the “Donation of Constantine”, the con consisted of a document recording a generous gift from Roman emperor Constantine the Great, transferring authority over Rome and the entire Western Roman Empire to Pope Sylvester I (reigned 314 – 315) and his successors. The text describes how Pope Sylvester I miraculously cured Constantine from leprosy, which convinced the emperor to convert to Christianity. The emperor went on to demonstrate his gratitude by making the Pope supreme over all other bishops, and “over all the churches of God in the whole earth“. Vast landed estates throughout the Roman Empire are also granted, for the upkeep and maintenance of the churches of Saint Paul and Saint Peter.
To top it off, the Holy Father and his successors were granted imperial regalia, a crown, the city of Rome, and all of the Western Roman Empire. The donation of such vast territories elevated the Popes from mere priests and religious leaders, to independent princes and sovereign rulers of territory in their own right. In reality, the Donation was forged in the eighth century by some unknown monks, hundreds of years after both Constantine the Great and Sylvester I were dead and buried. The forgery had little impact when it was concocted, but centuries later, during a period of political upheavals that wracked Medieval Europe, the Donation ended up playing a huge role in shaping Christendom and the West.
After it was forged, the Donation of Constantine was stashed away and forgotten for hundreds of years, until Pope Leo IX dusted it off in the mid eleventh century, and cited it as evidence to assert his authority over secular rulers. Surprisingly, the Donation was widely accepted as authentic, and almost nobody questioned the document’s legitimacy. For centuries thereafter, the Donation of Constantine carried significant weight whenever a Pope pulled it out to figuratively wave in the face of secular rulers.
It was not until the Renaissance and the spread of secular humanism that the Donation’s authenticity was finally challenged. With the revival of classical scholarship and textual criticism, scholars took a fresh look at the document. It quickly became clear that the text could not possibly have dated to the days of Constantine the Great and Pope Sylvester I. One hint was the use of language and terms that did not exist in the fourth century, when the document was supposedly written, but that only came into use hundreds of years later. On top of that, the document contained dating errors that a person writing at the time could not possibly have made. The Popes did not officially renounce the document, but after the mid fifteenth century, they stopped bringing up and referring to the Donation of Constantine in their Papal Bulls and pronouncements.
John Ernst Worrell Keely (1837 – 1898) had many faults, but sloth was not one of them. He always hustled to get ahead, and among the jobs he worked as a young man were painter, carpenter, member of a theatrical orchestra, a carnival barker, and a mechanic. It was while tinkering as a mechanic that he came up with the idea that would make him one of history’s greatest “inventor” con men. In 1872, Keely declared that he had come up with a new engine that would revolutionize the world, by drawing its energy from a new physical force that held limitless potential power.
Back in the nineteenth century, there was a widespread although mistaken belief that all space was filled with something called a “luminiferous ether”. It was a hypothetical substance thought necessary for the movement of light or electric waves, and without which those things would be impossible. Keely claimed to have figured out how to tap into and extract energy from this (actually nonexistent) substance. Having unraveled the secrets of the luminiferous ether, Keely claimed that he could now tap the power of atoms in water to furnish energy.
As John Keely explained it when describing his engine to listeners, atoms are in a state of constant vibration, and by harnessing and channeling water’s vibrations in his engine, people could tap into limitless energy. By getting the water’s atoms to vibrate in unison in accordance with the principles of the luminiferous ether – a substance supposedly filling all space – one could use its “etheric force” to power motors. Put another way, the Keely Engine was a perpetual motion machine – an impossibility under the basic laws of physics, because it would violate the first or second laws of thermodynamics. Keely demonstrated a prototype to guests in his workshop by pouring water into its engine, then playing a harmonica, violin, flute, or other musical instrument to activate the machine with sound vibrations. Soon, the device would start gurgling, rumbling, then come alive, providing pressures of up to 50,000 psi on display gauges.
Harnessing that power, Keely arranged demonstrations in which thick ropes were ripped apart, iron bars were bent, twisted, and snapped in two, and bullets were driven through twelve inch wooden planks. Keely made up science-y sounding terminology to describe the principles of his invention. He began by describing his engine as a “vibratory generator”. Then he started telling observers that they were witnessing “quadruple negative harmonics”. At other times, he told gullible investors that he was going to make them filthy rich with his “hydro pneumatic pulsating vacu-engine”. And whenever a listener sounded a note of skepticism, he drowned it with yet more science-y sounding phrases such as “etheric disintegration”, “vibratory negatives”, “atomic triplets”, and “atomic ether vibrations”.
John Keely used the kinds of words that sounded impressive to non scientists, but that in reality were simply pseudo scientific gibberish. However, it was effective pseudo scientific gibberish: within a short time, Keely had convinced investors to give him the equivalent of about $25 million in current dollars as startup capital. He used that as seed money to found the Keely Motor Company. In subsequent years, investors coughed up the equivalent of more than $100 million in today’s dollars for a stake in Keely’s enterprise.
For more than two decades, Keely closely guarded the secret of his invention, refusing to share its details with anybody. But he kept promising investors that the perfection of a commercial version of his machine was just right around the corner. And throughout that time, gullible investors kept giving him more and more money, notwithstanding the consensus of physicists that Keely was a charlatan and a quack, and that perpetual motion such as he promised was physically impossible. Finally, when Keely died in 1898, the secret of his engine was revealed to the world. It had not been powered by water, but by a compressed air machine hidden two floors below, and connected to the Keely engine by cleverly concealed pipes and hoses.
America was gripped by excitement in the summer of 1835, after a New York newspaper, The Sun, announced the recent discovery of life and civilization on the Moon. In a series of six articles, beginning on August 25th, The Sun described how Sir John Herschel, the era’s leading astronomer, had used powerful telescopes to get a clear glimpse of the Moon’s surface. What he saw astonished him and upended all human knowledge to date, because it offered a truly stunning glimpse into another world. As the newspaper put it: “By means of a telescope of immense dimensions and an entirely new principle“, Sir John Herschel had discovered planets in other solar system, and established new and revolutionary theories. He had also “solved or corrected nearly every problem of mathematical astronomy“.
However, Herschel’s prior accomplishments were just the tip of the iceberg, and paled in comparison to his latest find: the discovery of life on the Moon. According to The Sun, Herschel’s telescope revealed that the Moon was teeming with life. From his observatory in the Cape of Good Hope, the astronomer saw oceans, rivers, and trees. A variety of animals roamed the lunar surface, including goats, buffaloes, walking beavers, and unicorns. And flying above them all, were human-like creatures who built houses and temples.
As detailed by The Sun in a 17,000 word six-part series, reprinted from The Edinburgh Journal of Science, Sir John Herschel had traveled to the Cape in 1834 to catalog the stars of the Southern Hemisphere. However, he discovered far more than stars with his powerful telescope when he turned it to the Moon. First, were hints of vegetation, a body of water, a beach, and a string of pyramids. As the focus was adjusted for sharper detail, herds of bison-like animals were seen. Next came blue goats that looked like unicorns. Yet more animals, such as walking beavers, were described in the third installment. The fourth installment produced the biggest shock: the discovery of hominids, about four feet tall, who flew with bat wings.
As the article put it: “We scientifically denominated them as Vespertilio-homo, or man bat; and they are doubtless innocent and happy creatures“. That was when the mounting excitement reached a fever pitch. That was also when the authors discovered that they had greatly underestimated just how gullible the public could be. The whole thing had been satire, something that the authors and The Sun’s editors thought was obvious. Instead, satire was taken as gospel truth. The authors eventually wound down the story with the telescope’s accidental destruction. It had been left exposed to the Sun, whose rays caused its lens to act as a burning glass, which started a fire that destroyed the telescope and the observatory. Needless to say, Sir John Herschel had never claimed the astronomical discoveries attributed to him, nor had he made any such lunar observations.
3. The Two Little Girls Who Conned Sherlock Holmes’ Author
Sir Arthur Conan Doyle created the sharp minded, cynical, and deductive reasoning Sherlock Holmes. That being so, one might reasonably assume that Sherlock Holmes’ author was one of those hard to fool skeptical types. One might, but one would be wrong. In reality, Doyle was nothing like his famous character. Late in life, the famous author became a big booster of spiritualism, and in his eagerness to credit anything that would support his beliefs, he became a gullible old fool who fell hard for a hoax perpetrated by two little girls.
It all began in 1917, in the English village of Cottingley. There, 9 year old Elsie Wright and her 16 year old cousin Frances Griffith claimed that they often interacted with fairies beside a nearby stream. Their parents scoffed, so to prove it, the girls borrowed Elsie’s father’s camera, and came back half an hour later with “evidence”. When Elsie’s father developed the film, he was surprised to find a picture of fairies dancing around Frances. However, he dismissed it as a prank by his daughter, who knew her way around cameras. When the girls came up with more fairy photos in subsequent months, Elsie’s father finally forbade them to borrow his camera. By then, however, the seeds had been planted for one of history’s most fascinating hoaxes.
Two years after cousins Elsie Wright and Frances Griffith photographed “fairies”, the images started going viral after Frances’ mother showed them at a meeting of the Theosophical Society – A New Age spiritualist group. The photos were clearly questionable, and experts who saw them pronounced them crude cardboard cutouts. However, the existence of Fairies dovetailed with some religious tenets of the Theosophical Society, so its members – who included prominent British figures – began spreading the photos and vouching for their authenticity.
In 1920, Sir Arthur Conan Doyle became aware of the photos. Like his famous detective, Doyle was initially skeptical about the fairy images, and went so far as to ask camera and film manufacturers Eastman Kodak for their opinion. However, before receiving a reply, and for reasons unknown other than a sheer desire to believe, Doyle concluded that the photos were real. Before long, Sherlock Holmes’ author was vouching for the photos’ authenticity, en route to becoming a huge advocate for the existence of fairies in real life.
1. Sir Arthur Conan Doyle’s Cringeworthy Fall For the Fairy Hoax
In December of 1920, Sir Arthur Conan Doyle published a cringeworthy article urging the public to accept that fairies existed. The article opened him to significant ridicule from a press that was equal parts puzzled, and equal parts embarrassed for the respected author. It did not dissuade Doyle, who followed the first article with a second in 1921, describing even more fairy sightings. A year later in 1922, he capped it off by publishing an even more cringeworthy book, titled The Coming of the Fairies.
As it turned out, Sherlock Holmes’ creator should have been more skeptical. In 1983, cousins Elsie Wright and Frances Griffiths published an article, in which they confessed that the whole thing had been a hoax. They had used illustrations from a contemporary popular children’s book, and simply drew wings on them. The girls had kicked off the prank as a means of getting back at adults who teased them for “playing with fairies”. The joke snowballed, however, and got out of hand once the Theosophical Society and Sir Arthur Conan Doyle got involved. Once that happened, they could not think of a graceful way to back out, so they just kept the hoax going, before finally coming clean, six decades later.
Where Did We Find This Stuff? Some Sources and Further Reading