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Brutal Beauty: The Dark Reality Behind The Life Of A Geisha

Two geisha, one dancing in blue kimono, one kneeling and playing a shamisen, wearing a pink kimono.
Geisha entertainers, c. 1900 and 1940. OSU Special Collections and Archives, public domain.

Geiko Attire

Vintage image of geisha wearing a subtle, dark kimono.
Kanegawa geisha wearing subtle, dark kimono. National Museum of Denmark (2007, public domain).

When a maiko debuted as a geisha, she adopted a whole distinctive look. Gone were the heavy obi binding a kimono as delicate as a tissue. Instead of brightly colored kimono, she wore a more demure color, with subtle embroidery, if there is any at all. Gone was the beautiful torture of the maiko’s hairstyle.  Geiko donned a topknot, with fewer waxed sections (today’s geiko wear wigs to avoid the hairdressing pain altogether).

She wore geta, sandals similar to the general population, instead of high platform okobo. Even her makeup changed. Instead of painting her face in full white, geiko would only paint it for performances and rare occasions. And when she did, new geiko only painted their top lips to show their rank. If a geiko continued active geisha work into her 30s, she stopped painting her face altogether to allow her natural beauty to shine through.

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