6. Since the book contained critical references to real-life people, Plath published The Bell Jar under a pen name
Plath chose to release The Bell Jar under the pen name of Victoria Lucas. This was because she took her inspiration for several of the key characters from friends, relatives and acquaintances. The book was met with almost universal critical indifference on both sides of the Atlantic, much to Plath’s dismay (especially since the career of her ex-husband Hughes was going from strength-to-strength). It was only after her death that critics started to see The Bell Jar as a literary classic. To this day, however, Plath scholars and fans debate whether the book should still be published under the Lucas penname.
5. Plath gassed herself with the kitchen oven while her two young children were upstairs sleeping
Plath’s own family doctor saw that she was a risk to herself. In January 1963, he prescribed her strong anti-depressants. He also arranged for a nurse to visit her apartment every morning to check on both Plath and her two children. On the morning of February 11, 1963, the nurse arrived at the flat to find Plath dead in the kitchen. She had put her children to bed, sealed off the kitchen doors with towels and then placed her head in the gas oven. Some biographers argue Plath never intended to kill herself, that this act was a desperate cry for help. Others, however, point to her past history of failed attempts and the careful execution of the act as evidence Plath really did want to end her life.
4. Plath’s resting place in northern England was chosen by Ted Hughes and is a place of remembrance and of protest
Though they were separated, Plath and Hughes never officially divorced. This meant that Hughes could decide where the American would be laid to rest. He decided to have her buried in the graveyard of St Thomas the Apostle, a church in the hilltop village of Heptonstall, in the county of Yorkshire. What’s more, he had the stone inscribed ‘Sylvia Plath Hughes’ and he chose the line of poetry to go under the name. Since the 1960s, the grave has been a pilgrimage site for literary fans and feminists. On more than one occasion, her husband’s name has been defaced or removed.
3. Plath would win a posthumous Pulitzer Prize for Literature – though could her rumored long-lost second novel be her greatest work?
Following her death, Plath’s literary star kept on rising. Her Collected Poems were published in 1981. Ted Hughes wrote an introduction for the work, a fact that angered many of Plath’s admirers, not least since many blamed him for her suicide – a charge that only intensified when his mistress Assia Wevill also killed herself. For her poetry, Plath was awarded a posthumous Pulitzer Prize for Literature. While Hughes once claimed that she had written most of a second novel, the manuscript was lost at the start of the 1970s. It remains one of the literary world’s most-sought-after items.
2. Plath’s legacy lives on – and original manuscripts and items from her life are highly sought-after by fans
Today, Sylvia Plath is remembered as one of America’s great writers. Above all, she is seen as a pioneer of ‘confessional poetry’. She is also seen by many as a feminist icon. In 2018, Plath’s daughter Freida auctioned a number of items from her mother’s life. These included a tartan skirt from her undergraduate years at Smith College, an old typewriter she used throughout her 20s, and a draft copy of ‘The Bell Jar’, which sold for $125,000. Tragically, Plath’s son Nicholas Hughes, also a poet, committed suicide in 2009, aged 47.
1. In recent years, Plath’s other talents, including her skills as an artist, have started to be recognized
In 2017, the Smithsonian National Gallery held an exhibition of Plath’s art, showcasing her other side. Before embracing poetry full-time, Plath had originally planned on being an artist. In fact, she enrolled in a major in art at Smith College before switching to study English after just one academic year. However, she carried on making art throughout her life, including during her troubled years in England. The 2017 exhibition was the first major retrospective of her collages and paintings, including several self-portraits, highlighting her love of the abstract.
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