23. Despite signing a contract with Coptix Records, Nina saw her commercial success as the means to fund her classical training
After the success of Little Girl Blue, Nina signed a record deal with Coptix Records, a much bigger label than Bethlehem. Unlike Bethlehem, Coptix would actually promote her music without Nina having to shout at them, and most importantly handed over all creative control to the artist. But despite achieving a level of success that few musicians ever do, Nina still saw herself as a concert pianist releasing popular music to make ends meet and, more importantly, to pay for her private lessons, and was utterly indifferent to her fame and success away from classical recitals.
