2. Superman first demonstrated the ability to fly in the radio serial
Shuster and Siegel had not yet given their creation the power of flight when The Adventures of Superman began broadcasting in 1940. Superman used his great running speed to generate momentum sufficient to allow him to leap over tall buildings, or travel by jumping from skyscraper to skyscraper. In the second episode of The Adventures of Supermanradio program, Superman acquired the ability of flight. Audiences knew their hero was airborne from a whistling sound effect, as if exposed to high winds. The radio program ignored the backstory of Clark Kent’s youth in the Midwest, identifying Superman as a “â¦strange visitor from a distant planet who came to Earth with powers and abilities far beyond those of mortal menâ¦” Flight was not the only change the program made to the Superman tale.
In the earliest issues, Clark Kent worked as a reporter for the Daily Star, a Metropolis newspaper. He worked for editor George Taylor, alongside reporter Lois Lane. The Adventures of Superman put Clark under Perry White, editor-in-chief of the Metropolis Daily Planet, again with Lois Lane. After the episode aired in February, 1940, Siegel altered Clark Kent’s employment in the comic books to reflect that of radio, the change taking place in November, 1940. In April, 1940, The Adventures of Superman introduced another character, Jimmy Olsen. Olsen had appeared as an unnamed character in the comics, but following his appearance on radio, Siegel and Shuster introduced him on the printed page of the comics in Superman #13, which hit newsstands in November, 1941.
3. Superman’s worst fear was another creation of the radio program
In June, 1943 broadcast of The Adventures of Superman a new element of the Superman story entered the picture. The program, entitled The Meteor from Krypton, introduced kryptonite as capable of draining Superman’s powers. Kryptonite came from Superman’s home planet of Krypton. Initially, it was red, introduced in the comic pages in late 1949. Later it acquired the green color in which it is most widely associated. Eventually, many different colors and blends of colors of kryptonite appeared in the Superman saga, all of which had the power of weakening and harming natives of the planet Krypton. In the comic world, both Lex Luthor and Batman carry kryptonite, the former to oppose Superman, the latter to ensure Superman could be stopped if he ever went rogue and adopted evil.
The radio producers had a problem explaining how minerals from the planet Krypton could be found on Earth, at a time when space exploration was still mostly fantasy. They solved the problem by placing Krypton in the same solar system as Earth, exactly opposite each other in the same orbital plane around the sun. The destruction of Krypton allowed Earth to pass through the rubble during its own orbit, and the planet was showered with meteorites containing kryptonite. The solution created another problem. Superman supposedly derived many of his powers from the yellow sun, and Krypton had previously been described as having a red sun. Various plot devices were derived to resolve the discrepancy in both the comic pages and the radio adventures. Superman’s back story continued to evolve as his popularity soared.
4. The rise of the Supervillains began early in Superman’s career
It didn’t take long for Superman’s creators to realize that ordinary run-of-the-mill criminals in and around Metropolis didn’t stand much of a chance against the powers of Superman. In the earliest issues of the comics, Superman treated the criminal element harshly, sometimes even abusively, before editors at what became DC Comics ordered the writers to tone down overt violence. In order to create and maintain tension in the stories, Superman needed enemies who could have a reasonable chance of prevailing in their evil schemes. The first such enemy, the precursor of what became the supervillains, was created by Jerry Siegel and appeared in Action Comics in July, 1939. He was The Ultra-Humanite, a criminal genius in a crippled body, paralyzed from the waist down. His backstory was deliberately kept secret by his creator.
The Ultra-Humanite uses his vastly advanced intellect in criminal schemes covering several stories in 1939 and 1940. In one, Superman must stop a plot to take over Metropolis’s taxi industry, in another the evil genius attempts to extort millions from a shipping line. The Ultra-Humanite and Superman battled each other in both Action Comics and Superman until early 1940, when the villain was killed in another failed battle against the Man of Steel (though he would be resurrected decades later). By then Siegel had created a new arch-villain to oppose Superman, who would make his first appearance in April, 1940, in Action Comics #23. At first, known only by his last name, and sporting a thick mane of red hair, the villain was called Luthor.
In 1941 Max and David Fleischer operated Fleischer Studios, an animation studio in Florida. The majority owner of the studio was Paramount Pictures. Paramount asked the brothers to produce a series of animated short films based on Superman. The brothers quoted what they believed to be an exorbitant price (equivalent to $1.7 million in today’s money) per six to ten-minute episode, hoping to avoid the project due to other commitments. Paramount refused to take no for an answer, negotiated the price down, and Superman’s first appearance on film was thus assured. The first animated short, titled Superman and known widely as The Mad Scientist, appeared in September 1941. It was nominated for an Academy Award for Best Short Subjects Cartoon, though it lost to a Disney effort featuring Pluto. In all, 17 of the Superman shorts were produced.
Bud Collyer, then still providing the voice of Superman on radio, also voiced the animated series, joined by Joan Alexander as Lois Lane. The Fleischer brothers only participated in the early cartoons. In 1942, unable to work together, they were removed from the project by Paramount. Their studio was reorganized as Famous Studios. The latter eight cartoons dealt with Superman’s activities in World War II, which included espionage and counterespionage missions against both the Japanese and the Germans. On these missions, he was often accompanied by Lois Lane. The 17 cartoons are today in the public domain, and can readily be found and viewed online or on DVD.
6. Superman also appeared in newspaper comic strips
Beginning in 1939, and continuing into the mid-1960s, Superman appeared in a syndicated comic strip which ran both daily and Sunday strips. The comic strip is notable in the Superman legend for several things, including the first appearance of a bald Lex Luthor. It was also in the daily strips where Clark Kent first entered a telephone booth, to emerge as Superman. By mid-1941, with the character just three years of age, Superman appeared in hundreds of newspapers daily, in a fifteen-minute radio broadcast three afternoons per week, in the animated shorts, and in the Superman and Action Comics magazines. Licensing included Superman dolls, collecting cards, a fan club, costumes for children, and other items.
The radio program was sponsored by Kellogg’s Pep Cereal, a product devised to compete with Wheaties.Pep was advertised as a fortified cereal, from which its consumers derived strength and durability, attributes clearly associated with Superman. Ads for Kellogg’s Pep Cereal in print referenced the program, the beginning of a long association between Kellogg’s and the Man of Steel. In other ads not aimed primarily at children in the early 1940s, Kellogg’s touted the cereal’s mild laxative effect. Superman was everywhere, unvanquishable, just as the United States came under attack at Pearl Harbor, leading it to enter the Second World War. For Superman, the war presented challenges unlike any his creators had yet faced. What would be his role in the global war, presented to the American people as one of good against evil?
Superman’s writers and artists faced a problem when the United States entered World War II. It was obvious to them and Superman’s fans that he could not directly intervene in the war. How could German and Japanese troops oppose Superman were he to engage them in direct combat? The Man of Steel could easily destroy enemy troops, planes, tanks, ships and all the weapons of war. Yet the writers could not ignore the war. The same newspapers which carried the Superman comic strips, the radio stations which broadcast The Adventures of Superman, the theaters which presented the shorts, all carried news about the events taking place around the world. And in early 1942, most of the news was bad. Superman had to be seen aiding the war effort, but not in a way which detracted from the troops or weakened his own powers.
Covers of Action Comics and Superman often carried images of Superman battling U-boats, or deep in the Pacific jungles, but the stories in the magazine had no relation to the cover. In the animated shorts, Superman was often seen engaged in sabotage. One short, titledEleventh Hour, had Clark Kent and Lois Lane interned as journalists in Japan in the early days of the war. By night, Superman left the place where he was held, sabotaging ships, railroads, and factories. When spotted, the Japanese announced Lois would be shot if there were further acts of sabotage, though Clark Kent was not similarly threatened. Superman sank another Japanese ship, rescued Lois from a firing squad, and returned her to the United States. For the most part, Superman supported the war effort by urging compliance with the Bond Drives, Scrap Drives, and other efforts on the home front throughout the war.
8. The writer’s had Clark Kent declared 4F by his draft board during World War II
When America entered the war the creators of Superman faced another dilemma regarding their hero. How could Clark Kent, young, single, and in good health, avoid the draft which faced all American men of a similar background. They found the answer, once more, via Superman’s eyes. In the story, Clark Kent receives his draft notice and reports for his pre-induction examinations. He failed the eye exam, through the device of using his X-ray vision to read an eye chart in an adjoining room, rather than the chart indicated. As a result, Clark received a 4F draft classification, which allowed him to remain in Metropolis through the war, freeing Superman to act through his own devices. And, though stories of the Man of Steel’s direct intervention in the war were few, there were still some presented.
Superman participated in training exercises with troops, airmen, and sailors. Lois Lane also supported the war effort, particularly through magazine cover art. In one depiction, used twice with just slight modification, Lois posed with a soldier, sailor, and airman, arm in arm, telling them “You’re my Supermen”. By the end of the war, Clark Kent was close to active service, working as a war correspondent on a Navy destroyer. At least once in the war, the United States censored Superman, demanding a story which had Lex Luthor planning to use an atomic bomb on Superman be withheld. The Manhattan Project leaders protested, preventing publication until they either cleared the story or felt it was no longer a threat to the secrecy surrounding the development of the atomic bomb. A modified version of the story appeared in 1946.
9. Superman and the other superheroes served as morale boosters during World War II
Superman’s war service, which occurred in newspaper strips, comic magazines, on radio, and in film was directed almost entirely at raising morale, both at home and with the men and women serving overseas. His engagement with enemy troops usually took place as a side-effect of his having to rescue Lois during one of her news-finding missions. Most of the DC Comics superheroes fulfilled similar missions during the war, with stories of them thwarting saboteurs and espionage agents, conducting espionage themselves, and meeting with the troops during training. All the superheroes, as well as other comic characters including Bugs Bunny, Mickey Mouse, Betty Boop, Popeye the Sailor, and many more urged Americans to buy bonds, support war drives, and recycle paper. In 1941, Batman and Superman joined forces to raise money for war orphans.
In at least one way they contributed to the value of their magazines as collector’s items in the post-war era. Paper drives continued throughout the war, with Americans urged to collect and recycle newspapers, magazines, and work papers. Many of the comic books from the first decade of Superman found their way into recycling plants, making the earliest editions of Action Comics, Detective Comics, Superman, and others scarce. In the late 20th century the scarcity made the value of such early editions soar to record heights. In 2021 a copy of Action Comics #1 sold for the record price of $3.25 million in a private sale. The seller had purchased the item just three years earlier, for which he paid $2 million. According to experts, only about 100 copies of Action Comics #1 exist today. How many were recycled during the war years is unknown.
10. Mr. Mxyztplk appeared as a means to lighten the stories during the war
In 1944 a new character appeared in Superman’s universe, first in the daily comic strips, and later in Action Comics. Depicted as an imp, bald, in a purple costume with a green bow tie, he is free from the restraints imposed by the laws of physics. Sometimes called Mxy, he can only be tricked into returning to his home world, said to be in the fifth dimension, by getting him to either spell or pronounce his mouthful of a name backward. Mxy learned of Superman’s world via a book, and traveled to it intent on using his proclivity for practical jokes and seemingly unrestrained powers to take over the world. After encountering Superman, his motives changed in the 1940s, and he appeared desirous of simply tormenting Superman by creating endless emergencies to which the Man of Steel must respond.
If tricked into saying his name he finds himself instantly transported home, for a minimum of 90 days, giving Superman a badly needed period of rest. Mxy was initially more of a lighthearted villain, pulling pranks which embarrassed, rather than endangered his victims. In later iterations of the character he became more dangerous and a formidable enemy. At one point, in a later iteration of Mxy, Superman travels to the fifth dimension to turn the tables on his pesky foe. Mxy caused another change in Superman regarding his powers. In the 1950s it is explained that Superman is susceptible to magic, and since Mxy’s acts seem as if they are created by magic (the kind of magic which would occur if the laws of physics are suspended) he can easily defeat Superman.
11. Superman appeared in a live-action 15 part serial film in 1948
Aimed squarely at children, Superman appeared as a live action film in 1948, though the flying sequences were animations superimposed on the film. Kirk Alyn played Clark Kent/Superman, though the film credits listed Superman in the lead role. Noel Neill played Lois Lane, a role to which she would return. The serial told the story of Kal-El’s journey from Krypton to Earth, his adoption by the Kent’s, and his discovery of his superpowers. Having decided to use them for good, Superman travels to Metropolis, where he meets Lois Lane and Jimmy Olsen, unravels a plot by a villain known as the Spider Lady, and learns of his weakness from kryptonite. The serials nearly all ended in a cliffhanger, shown during Saturday matinees. The film was a huge success financially, the children all anxious to attend the following week to learn how Superman got out of a jam.
The film was successful enough to demand a sequel, which brought back Alyn as Superman, and Noel Neill as Lois Lane. It again featured 15 chapters, most of which ended in cliffhangers, with Superman fighting to save Metropolis from Lex Luther and his collection of diabolical machines. Lyle Talbot played Luther. Talbot had the dubious distinction of playing a major role in Ed Wood’s Plan 9 From Outer Space, almost universally regarded as the worst film ever made in Hollywood. The second sequel, titled Atom Man v. Superman, did not do as well as the first. Superman’s flying was again animated, and whenever he landed from a flight he had to do so off-screen, due to the limitations of the process. Atom Man v. Superman was released in 1950. By then more ambitious projects were in the works.
12. George Reeves contracted to portray Superman on the new medium of television
George Reeves film acting career began with a considerable bang. He appeared in the opening scene of 1939’s Gone with The Wind, alongside Vivian Leigh and Fred Crane. Reeves was one of the Tarleton twins begging Scarlett O’Hara to share barbecue with them. Despite his auspicious start, his acting career did not go well and when he was offered the part of Superman on the medium of television he only reluctantly accepted. Worried about becoming typecast, he nonetheless recognized the need for work. His first project as Superman was in a B picture, intended to introduce him as the superhero in the television series, set to begin broadcasting in 1952. The film was Superman and the Mole Men. In the story, Lois and Clark are sent to a small town where the deepest oil well in the world revealed some strange events.
Small, humanoid figures emerged from the well, and explored the town, raising fears among the townspeople. When one of the so-called Mole Men was shot, Superman intervenes. In the course of the film, he protects both the Mole Men and the townspeople when the creatures attempt to defend themselves. The first theatrical film to feature a DC Comics character, Superman and the Mole Men gave a prequel of how George Reeves would portray Superman in the upcoming television series. The film, though only moderately successful, was later adapted as a two-part episode on Adventures of Superman, the vehicle which made George Reeves a major star, though a regrettably typecast actor.
13. Adventures of Superman took to the airwaves in 1952
Originally created as a syndicated program, Adventures of Superman starred George Reeves, Phyllis Coates as Lois Lane (replaced by Noel Neill for the second season), Jack Larson as Jimmy Olsen, and John Hamilton as Perry White. Hollywood backlots stood in for Metropolis. The first two seasons were filmed in black and white, after which the series was filmed in color. The first season’s programs were almost film noir in appearance, and Superman fought criminals and organized crime leaders, with several deaths occurring in the scripts. The dark quality of the scripts lightened over time. By the time of the color episodes, the scripts were considerably more humorous. Deaths became infrequent, and then gone completely, criminals less fearsome and more inept, and Superman generally rescued Jimmy or Lois, or both, from whatever ridiculously farcical situation they found themselves in.
George Reeves became a huge star, especially to children. The program was so popular with children that the US Treasury asked for a special episode, in which Superman and his fellow cast members exhorted children to buy stamps, saving them to purchase a US Savings Bond. The episode was filmed and distributed to schools for viewing. There was another important change in Superman presented by the program. Until then, in the opening announcement for the radio program, Superman had always fought for “truth and justice”. Adventures of Superman changed the line to read “the never-ending battle for truth, justice, and the American way”. The change was a reflection of the Red Scare anti-communism beliefs prevalent in American society during the 1950s.
14. Adventures of Superman ignored the supervillains of other media
Lex Luthor and other, somewhat otherworldly villains of the comics and animated shorts did not appear in the live-action television series. Nor did other superheroes, such as Batman and Green Lantern, though they frequently appeared with Superman in the magazines. Two areas prevalent in the comics did appear, Superman’s susceptibility to green kryptonite, and Lois Lane’s frequent suspicions that Clark Kent and Superman were one and the same. At least two more seasons of Adventures of Superman were planned, with filming scheduled to begin in 1959 when George Reeves died under mysterious circumstances in his Hollywood home. Originally labeled as a suicide, it has long been regarded as a homicide by many who knew him well, and by others investigating the event. He died in his bedroom of a gunshot wound to the head. There were no fingerprints on the gun, not even his own.
Reeves’ death shocked fans of the show, especially the thousands of children to whom he was Superman. He made many appearances in character for children’s events during the run of the show and even quit smoking as he felt Superman should set a good example for children. In 1957 he even appeared on I Love Lucy, as Superman, to entertain some children at Ricardo’s home. In 2006 the sad tale of the death of George Reeves was the subject of the film Hollywoodland, which featured Ben Affleck as the first portrayer of Superman on television. By the way, Reeve’s Clark Kent preferred storerooms or closets as the location in which to change into Superman, rather than the more legendary telephone booth.
The existence of Superboy changed much of the backstory for his adult counterpart. His adoptive parents were given names, Jonathan and Martha Kent. The town where he was raised was named Smallville, though no state was indicated. He aged from adolescence, developed a relationship with a girl named Lana Lang, His dog, Krypto, was presented as another survivor of Krypton. Krypto was rocketed to earth in a prototype of the vessel which later carried Kal-El to the same destination, though a course deviation extended his voyage by several years. Krypto had a secret identity too, a patch of brown dye served to identify him as Kent’s dog, Skip, when he was not in costume in company with Superboy/Superman.
16. Superboy served to update and backdate the stories of Superman and other Superheroes
In the 1950s the editors of DC Comics decided to set the stories featuring Superboy in the early to mid-1930s. This allowed them to jibe with the emergence of Superman in 1938. In the 1970s the decision was made to keep Superboy about 15 years chronologically behind Superman. Thus, 1970s Superboy stories appeared to take place in the 1950s. In the 1980s Superboy appeared to live in the 1960s and 1970s. In 1960 Superboy first encountered the cosmic imp Mr. Mxyzptlk, sixteen years after Superman had first met the villainous imp. Superboy also appeared in a group of juvenile superheroes, the Legion of Superheroes, which appeared in Adventure Comics, Superboy, and The Legion of Superheroes. The membership of the legion expanded and contracted over time, though Superboy was nearly always included.
The changes, backdating, updating, and characters introduced in Superboy and his associated magazines meant the original story of Superman appearing in Metropolis in 1938, an unknown until then, was completely wrong. Superman was already acquainted with Lois Lane, Perry White, Jimmy Olsen, and others of his world, having met them during his many adventures as a boy. He was also already aware of the dangers of kryptonite, the full use of his superpowers, and his need to retain the dual personalities of Clark Kent and Superman. The many different lives of Superman and Superboy were resolved, partially, through the creation of alternate universes and Earths beginning in the latter portion of the 20th century, which brought other changes to Superman as well.
17. Little has ever been known about Clark Kent’s home life
Although Clark Kent lives in Metropolis, having grown up in Smallville, little is known of his actual residence after leaving the bucolic community and farm. He had an apartment at 344 Clinton Street in Metropolis, where he lived for years. Superman kept a room for Clark’s use (in order to protect his secret identity and fool his friends) within his Fortress of Solitude. The Fortress of Solitude serves as Superman’s retreat and private refuge, and like all things Superman there have been several. His first such refuge was called his Secret Citadel, cut out of a mountainside not far from Metropolis. Later versions have appeared in the Arctic, the Antarctic, the mountains of Peru, the Amazon, under the Sargasso Sea, and orbiting in space. Despite its formidable location and defenses, it has been breached many times by Superman’s enemies, including Lex Luthor, Brainiac, and others.
While in Metropolis Superman lived as Clark Kent, in the apartment mentioned above. In the 1980s another reboot of the Superman story created a more assertive Clark than his predecessor, and that version of the character proposed marriage to Lois Lane, as well as revealing his long-held secret of being Superman. They were finally married in 1996, as the Kents rather than as Mr. and Mrs. Superman. The engagement was a long one, complicated in part by Superman’s death in combat. Another complicating factor was the television series Lois and Clark: The New Adventures of Superman, which did not want the couple married prematurely. Lois and Clark had not yet married when Superman died in January, 1993, beaten to death by the supervillain Doomsday. It took another three years to resurrect the Man of Steel and get him to the altar, disguised as Clark.
18. Christopher Reeve helped bring Superman back to the fore after a decade of waning interest
When little-known actor Christopher Reeve auditioned for the role of Superman in 1978 he was not a fan of the character and had little knowledge of the comics. He had watched the 1950s Adventures of Superman starring George Reeves, and had some idea of how he wanted to play the role. He was told to play only Superman, and when portraying Clark Kent to perceive of it as a role within the lead role. The filming was difficult, all of the flying sequences were done with wires and harnesses. CGI was not yet a major factor in making action movies. Reeve won mostly rave reviews for his performance as Superman, and the initial film of the series grossed over $300 million worldwide, making him a major box office draw. Unfortunately for both Reeve and the character, the three sequels which followed did not perform as well.
Reeve’s tragic horseback riding accident in 1995 left him paralyzed from the neck down, confined to a wheelchair for the rest of his life. Coupled with the tragic loss of George Reeves after his association with Superman, gossip surfaced the role was cursed. Reeve and his costar as Lois Lane Margot Kidder dismissed the idea of a curse affecting performers in Superman productions, and Reeve recognized his role as the making of his sadly shortened career. Reeve’s performances as Superman and Clark Kent changed the way the dual part was perceived by actors in live action films and television productions, and remained true to the Superman of the original comics. Christopher Reeve died from complications as a result of his accident on October 10, 2004.
19. Superman continues to evolve and his story changes to the current day
Despite the now several different versions of Superman, depending on the timeline, section of the metaverse, and characters involved, continue to adjust to changes in the current day. Yet his basic premise, first appearing in 1938, remains the same. A powerful and nearly omniscient father sends him to Earth, along with instructions regarding his great powers and his obligations to use them for the benefit of others. On Earth he becomes a savior figure, doing battle with evil in all forms, while overcoming his own weaknesses and limitations. He restricts his own enjoyment of life in order to be available to render needed assistance at all times. In one story arc, he died following a brutal beating at the hands of Doomsday, only to be later resurrected and emerged triumphant.
Although far from the image of the overgrown, overly powerful Boy Scout he presented in the 1950s and 1960s, he still refrains from excessive violence whenever possible. He is focused on the protection of humans and the planet on which they live, but not to the detriment of other species, or life forms. Since his first appearance, Superman has fought against common criminals and crime lords, supervillains and aliens, Nazis, Fascists, Communists, domestic and foreign terrorists, and every imaginable, for some unimaginable, enemies of peace and tranquility for the human race. And there are even some clues regarding how Superman and his world will continue to evolve in the future.
In the 2010s several reboots of DC Comics’ entire lineup of Superheroes addressed the relationship of Clark Kent and Lois Lane, as well as Superman. In 2016 a reboot, called DC Rebirth confirmed the continuing relationship between Clark/Superman and Lois as married, and the biological parents of Jonathan Kent. Jonathan Kent became the new Superboy in 2017 and frequently appears with both of his parents in both Superman and Action Comics magazines. The many reboots and metaverse of the Superman saga are difficult for casual fans to comprehend. As a result, Superman currently does not rule the superhero realm as he did in his storied past. But, he has long been called the Man of Tomorrow.
Superman and his friends and enemies continue to appear in films, television productions, video games, computer animations, collecting cards, graphic novels, full novels, merchandise, collectibles, commercials, school supplies, posters, and of course, in comic books. Comic books from the classic Golden and Silver ages of Superman in good condition command huge sums from collectors. Children still wear Superman costumes at Halloween, as do many adults to judge from their availability on websites. As of this writing, Superman is nearly 84 years of age, but all indications are that he will continue to enjoy a fruitful life in the realms of entertainment and imagination.
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