4. Mao Was Actually a Decent Poet
Mao began composing poetry in his youth. Indeed, his image as a poet was a significant part of the Chinese public’s perception of Mao as he rose to power. He was actually considered a good poet. Not just by critics in China, who would have been foolhardy indeed to pan his poetry, but also by literary critics outside China and beyond Mao’s clutches. His poetry tended to be on romantic end of things, rather than the more modern realist genre, and resembled the seventh to ninth century Tang Dynasty’s style.
Alone I stand in the autumn cold
On the tip of Orange Island,
The Xiang flowing northward;
I see a thousand hills crimsoned through
By their serried woods deep-dyed,
And a hundred barges vying
Over crystal blue waters.
Eagles cleave the air,
Fish glide under the shallow water;
Under freezing skies a million creatures contend in freedom.
Brooding over this immensity,
I ask, on this bondless land
Who rules over man’s destiny?
I was here with a throng of companions,
Vivid yet those crowded months and years.
Young we were, schoolmates,
At life’s full flowering;
Filled with student enthusiasm
Boldly we cast all restraints aside.
Pointing to our mountains and rivers,
Setting people afire with our words,
We counted the mighty no more than muck.
How, venturing midstream, we struck the waters
And the waves stayed the speeding boats?
Mao Zedong – Changsha