Judas Iscariot
In Leonardo da Vinci’s “The Last Supper,” Judas Iscariot is depicted with subtle yet significant symbolism that underscores his role as the betrayer. Positioned on the far left side of the composition, Judas is shown clutching a small bag, representing the thirty pieces of silver he received for his act of betrayal. This detail aligns with the Gospel narratives, where Judas’s agreement to betray Jesus is marked by the exchange of money.
Leonardo’s use of shadow and gesture further emphasizes Judas’s treacherous nature. The artist places Judas in a darker area of the composition, contrasting with the illuminated figures of the other apostles. This shadowing technique not only isolates Judas but also symbolizes his moral darkness and impending doom. Additionally, Judas’s defensive posture, with his hands raised and leaning away from Jesus, suggests guilt and reluctance, highlighting his internal conflict and the gravity of his impending betrayal (lumenlearning.com).
For a more detailed analysis of Judas’s portrayal in “The Last Supper,” you can refer to The Metropolitan Museum of Art’s discussion on the subject (metmuseum.org).
