The Persecution of a Music Legend

Jazz singer Billie Holiday (1915 – 1959), born Eleanora Fagan and nicknamed “Lady Day”, led a turbulent life. She was raised in a brothel, and her own mother turned out Holiday for sex work in her childhood. She was further traumatized by the death of her ill father, after he was denied medical care in a whites-only hospital because of segregation. That pain is reflected in Holiday’s rendition of Strange Fruit, a song about the lynching of blacks that she made her own, and that became an anthem of the budding civil rights movement.
Unsurprisingly, Holiday turned to drugs to cope with the pain. The United States vs. Billie Holiday, a 2021 autobiographical release, addresses her addiction struggles. A main theme revolves around Federal Bureau of Narcotics Commissioner Harry J. Anslinger’s relentless pursuit of Holiday. Among other things, he pressures people in Holiday’s life to set her up for possession charges, has her trailed by his agents, and appoints one of them to go undercover to gather evidence against her. How much of that was real?



